1992
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In a 1992 interview with Jean-Yves Bosseur, Max Neuhaus defines his sound works as site-specific, physical, and spatial sculptures rather than traditional musical compositions. He emphasizes the listener's role in completing the artwork by navigating the acoustic threshold, a concept explored in his transition from percussionist to sound worker.
Ethnomusicology Review +2in Max Neuhaus, Les pianos ne poussent pas sur les arbres, Texts brought together and presented by Daniele Balit & Matthieu Saladin, Dijon, Les presses du réel, 2019, p. 229.
Le sonore et le visuel [1992] – Intersections musique-arts plastiques aujourd'hui, édition française, les presses du réel