Newspaper

Hight Fidelity Magazine, "Electronics and Percussion Five Realization"

International Herald Tribune, Max Neuhaus, Sound Installations

FlashArt, Time into Space/Space into Time - New sound installation in new, page16

The New York Time, Critic's Notebook, Passive solution to Music's Ortopedic Mishap

The Telegram, in the corner, May 2, 1966

Herald Tribune New York

The New York Time, Striking the gong around, August 25, 1963

Village Voice, Neuhaus Realizations, by Malcolm Goldstein, June 1964

Herald Tribune, Percussion Solo, by William Bender, 1964

The New York Times, Max Neuhaus Percussionist, Concert is Given by Percussionist, June 3, 1964

The New York Time, 24 May 1964

The New York Time, Max Neuhaus Percussionist, June 3, 1964

Montreal Star, Informal concert with Stockhausen, by Eric McLean, January 29, 1964

The New York Time, p 26, Living with the Bugaboo, Edgard Varese, John Cage, Max Neuhaus, January 7, 1964

Paese Sera, Grande scalpore per "Selon Sade", 1965

The New York Time, New Music Heard at the 92D St. 'Y' by Howard Klein, Monday, January 4, 1965

Herald Tribune New York, At Avan-Garde Concert, Rewards for everybody, January 4, 1965

Chicago Daily, John Cage: His Heart Belongs to Dada, by Donal J. Henahan, April 14, 1965

The New York time, When the listener is Composer by Theodore Strongin

Herald Tribune, Pound Applauded in Spoleto. Jun 2

The New York Time, Artist realizes taped Music and plays piano from inside, by Theodor Strongin, Mar 23, 1965

Torsdag, 27 Januari, 1966

The National Observer, The Long, Long Day of Dadaism, By Douglas M. Davis, Monday, September 19, 1966

Stockholms-Tidningen, Med Ett Ton Slagverk, 27 Juanuari, 1966

The Village Voice, 1967 (Fan Music)

The New York Time, Sanday, When The Listener is Composer, By Theodore Strongin, June 16, 1968,

Madrid News, Max Neuhaus: percusionista eletronico, 1968

The New York Times, Electronic Music Hits open switch, by Donald Hernahan, Jan 9, 1969

The New York Time, Concert Wets Whistles for more, by Robert Sherman, Sunday May 9, 1971

Change/II, Avant-gardbeeps: The sound of music, by Andy Port. 1971

Chicago Tribune, 'Public Supply: A sound idea. By Thomas Willis,Wednesday, May 2, 1973

HEUTE KUNST, Christina Kubisch

Walkthrough 1973, Transit, Strange (But Interesting) Sound at 370 Jay Street, New York Dec. 1973

Art in America, Deep Float: Neuhaus' 'Water Whisle', by Al Brunelle, October 1974

The New York Time, "Noise Pollution Propaganda Makes Noise", 6 December 1974

Ruhr-Nachrichten, 15 November 1975

Westdeutsche Allgemeine Zeitung, Mittnoch, 19 Nov 1975

Downtowner, Artist's Sound Installation Becomes Permanent Feature at Como Conservatory, 1976

The Globe, Monday 2, May, 1966

Record World, National Public Radio To Air Live, December 25, 1976

Artforum, THE APOTHEOSIS OF THE CRUMMY SPACE, by Nancy Foote, OCTOBER 1976

The New York Time New Music for Old Custom House By John Rockwell Nov. 19, 1976

Today 'Voice' Nov. 30, 1977, Seven Kinds of Minimalism, by Tom Johnson

The National Observer, Next, a Musical Tweet, by Daniel Henninger, 1977

Hight Fidelity, New Music by Joan La Barbara, 1977

The New York Times, John Rockwell, Whistle While You Turne In To Avant-Garde Radio. Radio Net

Artforum, a View of Kassel, by David Shapiro1977

Village Voice, Monotonophobia, by Johnny Mop, Nov 9, 1977

Horizon, Future Subjunctine, (MoMa) August 1978

ARTFORUM Reviews, Max Neuhaus, Times Square, by Richard Lorber, January 1978

Hartford Curiant, A New Sound for Hartford? by Rick Walker, April 12, 1978

Hartford Courant, Sirens May Be Tuned To Please, by Joel Lang, June 12, 1978

Houston Post, Siren score art idea, 1978

Art in America, Review of Exhibitions New York, January-Febbruary 1979, Max Neuhaus at the Moma Sculpture Garden and Time Square, by Carter Ratcliff,

The New York Time, Avant-Garde: Max Neuhaus' Sound, by John Rockwell, November 11, 1979

Chicago Tribune, , At MCA, a new sculpture converts space into Sound, by John Von Rhein, Sunday, March 25, 1979

Voice, Canonizing Joan of Art, by Carrie Rickey, August 26, 1980.

Artforum, MAX NEUHAUS, by Hal Foster REVIEWS JANUARY 1980

News Japan, 1980

Who'sWho Art America, 1980

artforum, Five Russians (A Tuned Room) Max Neuhaus, 1980

Artforum, SITUATION ESTHETICS: IMPERMANENT ART AND THE SEVENTIES AUDIENCE JANUARY 1980

The Minneapolis Star, Sound sculpts conservatory space, by Joa Bream, June 6, 1980

The New York Time, On the Police Beat, by Barbara Basler, Aprol 4, 1981

AUDIOVISUEL, La radio comme Colour de corrispondence du métro, 1982

Artforum, THE SOUNDS OF VIOLENCE: MAX NEUHAUS’ SIREN PROJECT By Nancy Princenthal, New York 1982

Herald Tribune, Musics, for Sound Reasons, by Mary Brume, Friday, January 21,1983,

Art Press Métro, Patrick Javault (Paris Montparnasse) 1984

Art in America, 'Aural Spaces' by Carter Ratcliff, New York, October 1987

The New York Time, Beneath The Feet, Art Soothes In Times Sq, by John Rockwell, 1987

Le Diffichos de Grenoble, Max Neuhaus au CNAC, 25, mars 1988

Liberation Arts, Neuhaus, ça attire les oreilles, 5-04-1988

Dauphiné Libéré, Une école volantairement différente, 30-5-1988

The New Yorker, first published as "HEAR" by Calvin Tomkins, 24 October 1988

Published as "Creating a New Place in Space...", Max Neuhaus: Sound Line [French, English] (Grenoble: Magasin - Centre National d'Art Contemporain de Grenoble, 1988)

L' oeil, Max Neuhaus, by Philippe Piguet, Grenoble Mars 1989

Popularscience, Electronic Newfront, by William J. Hawkins, 1989

Domus, Max Neuhaus Elusive source, 7 Dicembre 1990

The Nation, Max Neuhaus: Sound Works, by Arthur C. Danto, March 4, 1991

Der Spiegel 37, by Susanne Weingarten, "Brummen vor dem Tor", , 1992

Artforum,“SONAMBIENTE” by Miriam Rosen REVIEWS SUMMER 1997

Herald Tribune, Michael Zwerin, November 17, 1999

Artforum, PREVIEWS by EMILY ERIKSON, MAY 2000

Jusqu'au, exposition dans les jardins du Chateau, 31 Octobre 2001? by Enrico Pedrini

Artforum, INSIDE THE WHITE BOX: ASPEN 5+6, by Alexander Alberro SEPTEMBER 2001

Art In America, Max Neuhaus at Christine Burgin and P.S.1, April. 2001

Le Monde, Max Neuhaus, sculpteur de son s et de sirènes, by Harry Bellet,Maedi 7 Aout 2001

Shadows of the Infinite, Max Neuhaus, Sound Work, The London Institute, CERN, 22/10/02, Page 22

Die Press, (KunstGraz) 27.08.2003

Kultur Mittwoch, August 2003

La Republica, Quelli che inventano il suono, by Paolo Crespi, 11 Giugno, 2005

Artforum, Sound Art, by Christoph Cox, Nov. 2007

Artforum, Merce Cunningham,fourth Beacon Event, 2008

Artforum, curator Lynne Cooke contextualized Philipsz’s art with nods to sound-art poster child Max Neuhaus, April 06 2010 • Helsinki

Housatonic Museum Of Art, Bridgeport, It's for You, Cured by Terri C. Smith 24-2-2011-

The Wall Street Journal, with the headline: A Sound From Underground by Andy Battaglia, December 26, 2012,

Artforum, “Wish You Were Here: The Buffalo Avant-garde in the 1970s”, curated by Heather Pesanti January 2012

Hyperallergic, A Hidden Times Square Sound Installation Returns to Full Hum, by Allison Meier May 19, 2016

Hyperallergic, A Silent Soundwalk, Noisy with Abstract Compositions by Christine Sun Kim, 2016

Artforum, 6th Annual New York Avant-Garde Festival, Central Park West, New York, September 14, 1968. BLOCK MUSEUM OF ART AT NORTHWESTERN UNIVERSITY, 2016

Doppiozero, Neuhaus' Time, 25 September 2017

Artforum Kelly Kivland and Alexis Lowry, May 17, 2019